Thomas Hood poem, The Language of Flowers
Flowers and bouquets of flowers have a meaning of their own. Most of us know that a dozen red roses means, “Be mine.” But did you know, for example, that a primrose means, “I can’t living without you,” or that a purple hyacinth means, “Please lost me,” or that a pink carnation means, “I’ll never forget you,” or that a gladiolus means, “Give me a crack?”
Flower meanings have been used to convey ideas, feelings and messages for centuries. The word, floriography, has been coined for the assignment of meaning to flowers. There is a meaning to colors of flowers, to numbers of flowers, and to groups of flowers. It is a shy language that has been largely drifting to us through nonattendance of use poczta kwiatowa tarnów.
In put in to the obvious choices of color and variety, the language of flowers furthermore includes the quirk flowers are worn or presented. Presenting flowers upright conveys a firm meaning, but if they are presented upside the length of the meaning is the opposite. If a ribbon is included following the flowers and is tied to the left later the meaning of the flowers refers to the giver, but if the ribbon is tied to the right then the meaning refers to the recipient. Also, flowers can be used to gigantic questions. When they are presented in imitation of the right hand the recognition is “yes,” but behind presented taking into account the left hand the final is “no.”
The Turks in the 17th century seemed to manufacture flower meanings. In 1718 the wife of the British ambassador to Constantinople, Lady Mary Wortley, wrote a letter expounding regarding the “Secret Language of Flowers” that she had discovered during her visits to Turkey. Europe speedily picked occurring upon the concept.
In 1819 Louise Cortambert, out cold the stage pronounce, Madame Charlotte de la Tour, wrote and published what seems to have been the first dictionary of the blossom language entitled, Le Language des Fleurs. It was a small photograph album, but it became a popular mention upon the subject.
During the Victorian period, the reign of Queen Victoria from 1837 to 1901, the meaning and language of flowers became increasingly capably-liked. Victorian women especially picked happening the silent language that allowed them to communicate feelings and meanings that the strict propriety of the become early would not manner. Tussie-mussies, a bouquet of flowers wrapped when a lace doily and tied back than a satin ribbon became a behind ease-liked and valued adroitness of the time.
In 1884 a cumulative book upon the subject and entitled, The Language of Flowers, by Jean Marsh and illustrated by Kate Greenaway, was published in London. It became popular and recognized and has been the passable source for Victorian blossom meaning ever in front.